Technical Specificiations Production Manager: Don Tartaro, 323.462.1835 FOH Tech Specs Console: Midas Heritage 3000 (56 Ch 4 Sterio) Drive: 2 Klark Teknik dn 360, 2 BSS 3088 Sound Web 3088, (Line Array) 1 BSS 334 (Subs) Processing: 1 TC 2290, 2 lexicon pcm 91, 1 Yamaha spx 990, 1 Lexicon pcm 70, 6 DBX 1066 comp/ gate, 1 Drawmer DS 404 quad gate, 2 Presonus ACP-8 comp/gate Play Back: 1 Denon T620 CD/CASS. Speakers: EAW 760 (2 per side) 761 (4 per side) Line Array 12 Martin Blackline 218 Subs, 4 Martin wt2 (near fill) Power: Crest, Hi 3 x 7001, Mid 3 x 8001, Low 6 x 9001, Subs 6 x 9001, Front Fills 1 x 7001 Snake: Whirlwind 48 CH. (8 returns) Monitor System (Located on stage right) Floor Wedges: -6: Martin LE 700 1-15"x1.4" (active) -6: Martin LE 12 jb 1-12"x1.4 (active) -1: Martin ws2a drum sub 2x15" -2: JBL type 1-15"x2 (active) -Monitor power: 12: crest 7001 Side Fills: -(2 per side) martin w8c 3 way tops w8cs compact low Mib box. -(1 per side) Martin Blackline s218 sub Side Fill Power: -Highs crest 7001, Mids 7001, low 1 8001, low 2 7001 (1 per side) -Sub 7001 (1 per side) Side Fill Drive: -BSS 336 Mini Drive (1 per side) Monitor Processing: -6 Klark Teknik dn 360 eq's -4 DBX 166 comp/ gate -1 Presonos ACP88 comp/gate -1 Lexicon PCM 91 Monitor Console: Midas xl 250 (48 Ch 4 Sterio) (18 Goup out plus L/R out) Stage: Power 6, 30 amp circuits Stage: 40' across, 20' deep, 4' high Microphone List 6: Sennheiser 421 4: EV 408 1: EV RE20 3: Yamaha MZ 204 4: Yamaha MZ 205 1:AKG D-12E 6: AKG C451 EB 1: Beyer 88 1: Beyer M201 N 1: Shure Beta 52 7: Shure SM 58 4: Shure Beta 58 7: Shure SM 57 3: Shure Beta 57 A 6: Countryman active DI's, 1: Whirlwind director (passive), 1: Missing Link DJ (passive), 1: AXE DI's, 4 Sescom DI's (passive) Balcony Width 70" 8" Marquee Dimensions 37" 3/8 (w)x 64" 3/8 (h)

Lighting Specifications (All Plots are subject to change without notice) -Lighting position for concerts is balcony view of the stage -Lighting desk available is Avolites Pearl 2000 -Lighting control is dmx 512 with 4 universes -Visiting LD's may bring their own desk to 8k color washes on stage: L106, L119, L158, L126, L181, L139, L201 + 3 sets of ACL -X 20 - Studio Spot 250 (x14 over head, x6 floor mount) -X6 - SGM Flasher Strobes on stage -X8 - 36 degree Source 4 to focus as specials -X7 - Trackspots available for additional specials as needed -2 line fibre-optic star drop -Re-focusing, re-circuiting and re-patching strongly discouraged, but may be allowed for multiple dates and film/television shoots -Re-gelling allowed on a limited basis - please notify in advance so that we can have it ready for you. -Limited circuits available on stage floor - all circuits are standard 3 pin stage connectors -X6 - floor mount PAR 64 available -LD is free to program what ever he needs -Followspots available - please notify in advance -Clear-Com to all positions -Smoke/haze - 2 DF-50, 1 F-100 -Dance Floor has full compliment of lighting, separate from the stage, but available for use. -Accommodations can be made for extra lighting equipment -300 amp service available stage left for tie-in - YOU WILL NEED BARE ENDS -300 amp service available stage right for tie-in - YOU WILL NEED CAMS -Visiting companies are responsible for any damage that may occur during usage

Floor Plans Main Floor - Lower Level Main Floor - Upper Level Loge Bardot